♦ Sample tunes played on the Harmonika (harmonium) in connection with Caroline’s remarks about Friedrich von Hardenberg’s (Novalis) fiancée (letter 208)
Music from Nina; or, The Love Distracted Maid (1786)
Libretto by Benoît-Joseph Marsollier des Vivetières, music by Nicolas Dalayrac
(Letters 202; 202b; 202i; 207; 263; 319; 327c; 328g; 336; 380; 400h; supplementary appendices 263.1; Friederike Unzelmann; Ella Horn, “Concerning the Premiere of Hamlet in Berlin”; gallery: Friederike Unzelmann in Performance)
♦ “Overture” — In the text of the play. — With the score.
♦ “Dors, cher enfant” (scene 1) — In the text of the play. — With the score.
♦ “O ma Nina” (scene 3) — In the text of the play. — With the score.
♦ “Ah, pour ses jours” (scene 4) — In the text of the play. — With the score.
♦ “Quand le bien-aimé reviendra” (scene 6) — Instrumental in the text of the play. — Vocal in the text of the play. — Instrumental and vocal with the score.
♦ “Germeuil, ta Nina,” Part 1 (scene 8) — In the text of the play. — With the score.
♦ “Germeuil, ta Nina,” Part 2 (scene 8) — In the text of the play. — With the score.
♦ “Shepherd’s Air,” Part 1 (scene 9) — In the text of the play. — With the score.
♦ “Shepherd’s Air,” Part 2 (scene 9) — In the text of the play. — With the score.
♦ “Ciel est-ce un songe” (scene 12) — In the text of the play. — With the score.
♦ “C’est donc ici” (scene 13) — In the text of the play. — With the score.
♦ “Chantons Nina” (scene 15) — In the the text of the play. — With the score.
♦ “Ah, quel moment” (scene 15) — In the text of the play. — With the score.
♦ “O fortune moment” (scene 15) — In the text of the play. — With the score.
Production Notes to the Music from Nina, or The Love Distracted Maid: Personal, Musical, and Technical.